Canon Digital SLR Camera EOS 5D Mark II

In the past I have owned the Canon 20D, and then more recently the 5D. I've read reviews and craved this camera for a long time, and it is now finally in my grubby hands. Here's what I can say after only using it for a week: Noticeable changes from the 5D: - physical changes 1. It feels more sturdy and slightly bigger. 2. The screen is superb, automatically adjusts for ambient light conditions, and very clear. Zooming into photos is a real treat (if you managed to get it pin sharp, like from a tripod, it's especially stunning). I'd read about a new special coating on the screen (the same coating they now put on the front of the first sensor filter) to repel smudges etc, but it doesn't seem to do much. It does have a nice purple-blue sheen, but my nose still makes it messy after a while shooting. Note to self: shower more. Only kidding. 3. The sensor is full frame, 21MP and 14 bits per channel. This allows for smooth tones and lovely switches from light to shadow. Simply light years ahead of the 5D or any other camera (better in some comparisons I've read than even the 1Ds Mk III). 4. They moved the light button to the outside of the top lcd. Minor, but takes a second to remind myself about it. 5. The flash hotshoe is now bare metal instead of black (which ended up half metal anyway - lots of scratches from the 580 being put on and off. 6. The plastic flaps on the side that contain the ports are now way less awkward to use. 7. The main dial now has three custom fucntion sets there, which I have not used yet. 8. It's subtle, but the viewfinder is somehow more crisp - and slightly bigger. Just that bit more comfortable. And the autofocus points are that bit more easy to see without fiddling with the diopter. - software changes 1. There is a handy feature called "highlight tone priority" in the custom functions that shifts the dynamic range to hold the highlights. It also makes the minimum ISO only 200, but I've tried it and it seems to work very well. Possibly a little more noise in the shadows, but nothing noticeable. 2. Speaking of dynamic range, I do a fair bit of HDR photography and the AEB functions are now nicely linked to the Exposure Compensation function. On one screen you can shift the exposure up or down a stop, as well as expand to bracket three exposures of +/- 2 stops. Lovely addition. As in the 5D you can shoot all three exposures automatically by using the timer. 3. Oh my god I love this feature: lens micro focus adjustment. Previously only available to lucky owners of the 1D series, this allows you to check the autofocus feature of any lens, and adjust the focus if you find it to be slightly soft (e.g. the focus is slightly behind or in front of the target). I spent 3 hours last night in full-on nerd mode, and finally figured out a way to do it simply. Skip the next bit if you're not a total optic nerd. The more in-focus an image is, the larger the file size. By varying the micro-adjustment from -20 to +20 in stages, you can later review the file sizes of the images and the one with the largest file size (if you keep all parameters the same) will be the setting with the most accurate focus. To do this, set up the camera and lens on a tripod and get it exactly perpendicular to a target. The target should fill the frame. I taped an old "start here" poster from a printer to the wall, and used a level to level the tripod. Tether the camera to a laptop and use live view shooting. Defocus the lens manually. Go into the custom functions and select the adjust by lens, and set it to -20. Then click the autofocus on the laptop to focus it. I repeat this focus click 3 times to make sure it is perfect. Then shoot 4 shots (to get an average reading). Move the micro-adjustment to -10 and repeat at intervals of 10 until you reach +20. Make sure to defocus the lens manually each time to make sure you force the autofocus to work through the problem again each time. Lets say +10 gave the largest average file size. Then go back and shoot at +5, +10, and +15. Lets say you decide +10 is still best, then go for +7, +8, +9, +10, +11 until you find the perfect focus. Nerds rejoice!! Actually it's not just nerdyness for the sake of being nerdy - I spent 3 hours on my 85mm f/1.2 last night and it is now WAY better than it was previously. It's razor thin depth of field at f/1.2 is now slightly behind where it was at it'd default (0) setting. So instead of a lovely in-focus image of an eyebrow and the tips of eyelashes, I now get the eyeball itself in clear focus. This is obviously a lens issue, but the fact that I can fix it in-camera without sending my lens off for re-calibration is a joy!! 4. In general the digic 4 system is vastly better than the digic 2 I was used to on the 5D. Menu surfing is fast and intuitive, and in no time I was used to it. 5. The main screen is now used a lot more than I realized - there is a whole lot of information that pops up between shots - and you can now navigate using the small adjustment knob, and change your ISO or metering mode that way (as well as the old way of looking through the viewfinder, or using the top lcd). 6. As much touted, you can now also shoot full HD video. This is a bit fiddly, and it's hard to get used to how to change aperture etc. Also because it's not raw (a format I use all the time) I now also have to learn about the picture style settings. Using zoom or changing focus while shooting is not advisable, because the noise of the lens (even the relatively quiet USM lenses) is simply deafening on playback. A mic can be added, which I think I would do if I got seriously into making movies on the 5D. Movie buffs are drooling over the chance to use wide aperture lenses that don't cost a trillion dollars, but for me the HD function is more of a gimmick for now. Although if I have some time on my hands, maybe I'll get into it some day. You can shoot still frames while recording, and on playback there is just a tiny glitchy moment when the camera returns momentarily to being a still frame device. Overall this is a superb upgrade to the 5D. Aside from the size and name on the side, it's hardly the same camera at all. Yes it's expensive, and yes the 7D seems to have similar quality photos in terms of bit depth and image size, but for me full frame functionality of this camera is the main thing. L lenses (especially the wide angle ones) only really make sense on a full frame camera. Although wildlife shooters might argue against me there. The 5D was an amazing camera and I had years of joy with it. I look forward to years more with this one - and wonder what Canon will have to do in order to convince me to ever upgrade again. Beg, borrow, steal. Get one!!

We have been using the 5D Mark 2 for just over 12 months now. It is used for shooting anything from 'black tie' type functions to studio sittings, landscape shots to industrial shoots. We don't use the HD video capability as we are 'stills' photographers only. In my opinion the key elements of this camera are; FULL FRAME SENSOR HIGH ISO CAPABILITY BUILD QUALITY PROCESSOR QUALITY FULL FRAME SENSOR The full frame sensor enables a true wide angle shot to be taken with a 24mm lens. I know these days you can get 16mm lenses for 'ultra-wide' and of course fish eye lenses, but bear in mind only 10 years ago, most Pro's would be happy to have a 24mm lens on their film camera, and most amateurs could only dream of owning a 24mm lens! We use a 24-105 Lis, which gives great results coupled with this camera. At the 24mm end there is vignetting which is a consequence of the full-frame sensor. It is worth bearing in mind that all but the very best quality lenses have a sweet spot, this is one reason APS-C sensors were originally used on the Canon D-SLR's, to negate the vignetting and 'soft' focus issues caused by the digital sensor at wide angle, only the sweet spot of the lenses were available. If you move to a 5D Mark 2, you will have to be prepared to invest in some quality glass. Whilst the sensor is superb in terms of image recording quality, it also highlights lens quality issues. HIGH ISO CAPABILITY As I mentioned we shoot 'black tie' functions, and this camera comes in to it's own for this type of work. The light levels are invariably low, and quite often mixed light sources (especially if there is a disco set-up). We have used up to ISO 3200 for capturing images, and then printed these at A3 for clients with no noise issues on the print. Again we use 'L' lenses, normally the Canon EF 24-105mm f/4.0 L IS USM Lens and the Canon EF 70-200mm f/2.8 L USM Lens , and the quality of shot in these low light conditions is more than acceptable for selling of images and prints. Adversely, if you put the ISO down to 50, the image quality is stunning, some of the best I have seen from a digital SLR. BUILD QUALITY The magnesium body feels sturdy in your hands, the rubber socket covers are well made, and after 12 months we have had no issues with ingress in to these sockets. The camera is comfortable to hold, and is used by myself and my wife, who also says the camera is comfortable. One niggle I have is that the ISO button is not in the same place as on the 1d, Canon have moved the 'backlight' button for the LCD screens there. After 12 months, because I use the 1d as much as the 5D Mark 2, I am still occasionally pushing the wrong button to adjust my ISO when actually looking through the view finder. If you will only be using the 5D, this will not be a problem. PROCESSOR QUALITY The Digic IV processor is leaps and bounds ahead of the old Digic III. Tonal range recorded is excellent. We convert a lot of our images to black and white, and without any real post processing, we are getting great neutrals in the conversions. With some minor tweaking in Adobe CS5 Photoshop (PC) the results are very good. Colours are well represented, although I am yet to see a digital camera that records natural greens (grasses etc.) as they were, they invariably require some tweaking, especially for printed output. CONCLUSION If you are Pro or Semi-pro, this is definitely the Canon camera for you. It is well built, not too heavy, and is capable of producing great quality images when coupled with quality glass. If a very keen hobbyist, you will not regret it, but avoid pairing third party, or lower end Canon lenses with the body. If you are in to sports / wildlife, you would be better with the 7D (or 1D mark iii or iv if you can afford it). The hobbyists would be best to go for the 50d, as it's frame rate is excellent. I still use a 40D as a back up for my 1D Mark iii. Portraiture and wedding photographers should not need to think about which camera to buy. If you are a canon user, this should be your work horse.

Article reçu avant la date prévue. On est quand même loin du "très bon état" : usure sur les boutons, écran rayé, petits impacts sur le corps du boîtier. Déclenchements annoncés : 7998, après vérification : 75698 ... Je vous laisse juger.

The camera is a couple of years old, but still in its prime. Whats not that great, is the packaging - no shock-absorber, only newspaper - for a camera that is prici and delicate i would have expected a more carefull packaging. But it arrived and is ok, so that was a lucky one. And its a little bit pitty that there is only the battery charger attached, no other cable for transmitting, etc. But all over I am happy to got the camera.

Perfectamente embalado, Llego el día prometido. La cámara llego en perfecto estado, con bateria original, cargador, y una tarjeta CF. El número de disparos fue el indicado Con signos de suciedad en el visor. Y el sensor una mancha que quedaba de manifiesto en las fotos. Pero que con un poco de alcohol y una limpieza manual se soluciono en pocos minutos.