Die Stimme im postdramatischen Theater: Am Beispiel von Elfriede Jelineks ″Die Schutzbefohlenen″ und René Polleschs ″Heidi Hoh arbeitet hier nicht mehr″

Name: Die Stimme im postdramatischen Theater: Am Beispiel von Elfriede Jelineks ″Die Schutzbefohlenen″ und René Polleschs ″Heidi Hoh arbeitet hier nicht
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