New Edge Sword & Sorcery Magazine: Issue #0 Paperback – September 28, 2022

New Edge Sword & Sorcery Magazine, Volume 1, #0. Edited by Oliver Brackenbury, Cover by Gilead.This is issue 0 of a new sword & sorcery magazine, distributed in eformat and PDF for free, or sold for a little over 3 dollars in print format on Amazon. I picked up the print version. As a magazine rather than an anthology, it contains nonfiction articles as well as short stories. The stories are clustered up front, with the nonfiction more toward the back, and I found myself liking that format.New Edge Sword & Sorcery is a term still undergoing a “shakedown.” In other words, it’s still finding its ultimate definition. According to Brackenbury, who has an essay on the concept at the end of the magazine, New Edge continues the older traditions of the “outsider protagonist,” “thrilling energy,” and “weirdness” while adding “inclusivity” and a strong support for “new works” in the field. This includes a greater inclusion of women authors and authors of color, as well as those who do not fit neatly into standard gender and lifestyle dichotomies. What I’m most concerned with here, however, are the stories and the information. Did I enjoy them as stories and essays? Below are my thoughts.First up is a story by Dariel R. A. Quiogue, a Philippines based writer. “The Curse of the Horsetail Banner” was an excellent choice to start the anthology because this is a very strong tale—both well written and exciting. As the name of the protagonist suggests—Orhan Timur—this tale is set in a pseudo Mongolian/Tibetan milieu. The writing really puts you into the cold, snowy climate as Timur flees from pursuers who want him dead, and finds a potential way to regain his lost position as Khagan, khan of khans. I’ve bought a book by Quiogue featuring this character, which I hope to get to soon.Story 2 is “The Ember Inside” by Remco van Straten and Angeline B. Adams. Very interesting story in that it features a “storyteller” as the primary hero. There’s a twist as to how the stories get told, however, and I won’t reveal the surprise. The main character, Ymke, is not, to my mind, a completely sympathetic character, although her life has certainly given her some tough choices. She is certainly a complex character. There are elements of Ymke that remind me of Robert E. Howard’s Dark Agnes.“Old Moon over Irukad” is next and is a real treat. The tale features Edrion and Virissa, sword companions who are hired for a questionable job that pays good gold, but are then betrayed. Not a good idea to betray this pair. The story is by David C. Smith, an old hand at sword & sorcery who became known in the late 1970s and early 1980s for his tales of Oron. I’ve been a fan of his since those days. This is a fun story written by a master.“The Beast of the Shadow Gum Trees” by T. K. Rex, is definitely the weirdest story here. It’s certainly fantasy but only on the fringes of sword & sorcery. But it’s an enjoyable tale and the prose is extraordinary. I would have enjoyed reading this just for the prose, but the tale itself is quite good. An old being named “Moth,” who is not human but some type of minor nature god it seems, mourns the loss of his love and plans to let himself die. Turns out, he has one more task to perform, in a land far away. There’s a lot of feeling in this one and I was touched by the ending.“Vapors of Zinai” is by J. M. Clarke. I’m not all that familiar with the “sword & soul” subgenre of S&S but I believe this one might fit there. It features a warrior/sorcerer as the protagonist, a man named Kyembe. Despite the setting in a sort of Alternate Egypt, this is—in many ways—one of the most traditional stories in the magazine. Kyembe is warrior in the Conan, Kane, Imaro tradition. I really enjoyed the character and have picked up another anthology with a Kyembe tale in it. I got a big kick out of the ending to this one. That last line is pure entertainment.“The Grief-Note of Vultures” is next, by Bryn Hammond. Excellent title, but I have to admit I didn’t quite understand this story. It’s written in a very unusual style, a unique style certainly, and one that might take some familiarity with to become fully comfortable in the tale. (I had the same issue with Glen Cook’s Black Company books at first and came to love those.) I think it was probably the style that kept me from becoming fully immersed in this story.After “Grief-Note,” there’s a short essay by Howard Andrew Jones on the “Origin of the New Edge.” This was interesting to me since I had very little knowledge of how it came about. (I’ve mostly been writing westerns and modern westerns for the last 3 years.)Immediately after comes “C. L. Moore and Jirel of Joiry: The First lady of Sword & Sorcery” by Cora Buhlert. I’m a huge fan of Moore’s work, especially the Jirel and Northwest Smith tales, which have all the adventure you could want but also seem to have a little something more written into their characterizations. I’ve also written an essay talking about Moore’s work, so I didn’t learn a lot of new information from this essay, but it was fun to revisit some of this information. I did learn more about Moore’s post-Jirel work and appreciated that. A good essay.We have an interview with Milton Davis up next, conducted by Brackenbury. I learned a lot of new information here. Davis’s name pops up frequently in recent conversations about new fantasy. He is firmly associated with the sword & soul moniker and was influenced to some extent by the 1970s and 1980s work of Charles Saunders, one of the first African Americans to put his unique stamp on sword & sorcery. I learned some things about Saunders, who I much admire.Another article, “The Outsider in Sword & Sorcery,” is up next, by Brian Murphy. A short treatise on the role of the outsider in S&S. Interesting and enjoyable.Nicole Emmelhainz produces the next essay, which is “Gender Performativity in Howard’s ‘Sword Woman.’” This piece examines Howard’s Dark Agnes stories at some length, focusing on gender issues. Emmelhainz is a professor and this work certainly has an academic feel to it. As an academic myself, I quite appreciated it. This is something we might have run in The Dark Man, which I’ve been occasionally an assistant editor for. I thought the ending here, which talks about how modern authors can still learn some things from writers such as Robert E. Howard, was even handed, open minded, and powerful. It was also appreciated.Magazines often have reviews and toward the end here we have a review of “The Obanaax and Other Tales of Heroes and Horrors” by Kirk Johnson. The review is written by Robin Marx. Not having read this book, there’s not much I can say. Marx seemed to enjoy it.Finally, we have Brackenbury’s essay on “What is New Edge Sword & Sorcery,” which I’ve already mentioned earlier. I thought this was a really entertaining first issue for this new magazine. I was happy to see it since I would really love to see a sword & sorcery revival, given that I’ve written quite a bit of the stuff myself. I recommend it. For more information, check out their Facebook page under the same name, and I also understand there’s a Kickstarter launching soon, which I will support. I hope the quality of the work shown here continues.

of readers and writers. As someone who has spent more than a little time reading, writing, and publishing sword-and-sorcery - I get it. There can be a sense of toiling in the shadows of giants (while also fighting against a general disposition to view swords-and-and-sorcery as some lesser version of fantasy fiction - more thud and blunder than literary, and maybe not offering much in the way of cognitive nutrition. Okay - but dammit, sometimes a body just wants to be entertained, and that's okay as well.Evidently - this concept of a New Edge grew out of a discord discourse about what could be done to help revitalize the genre, maybe shed some of the old tired tropes and predilections of the past, and help the genre move forward into the 21st century. They are hardly the only ones, but kudos to the editors for bringing more voices to the table. Part of the result is this, the inaugural issue of New Edge Sword and Sorcery Magazine. It is a decent sized volume, featuring six new pieces of fiction as well as seven non-fiction articles that any aficionado would do well to sink their teeth into. Some spoilers follow as to the fiction pieces.The Curse of the Horsetail Banner by Daniel R.A. Quirogue - A khan betrayed by his blood brother discovers that an ancient tomb has been desecrated, a banner stolen, and a curse unleashed on the land. What follows is a tale of curses and sorcerers and dark magic... and the persistence and stamina of the main character which may be his greatest virtue.What makes this story unique (other than the departure from your typical Euro-centric Western fantasy) is the central character's moral dilemma when it comes to the object of the quest. Does he take the banner for himself and assemble a host such has only been seen once before? Or does he return the banner to its rightful resting place and lift the curse from the land? It is this central moral quandry that helps elevate this particular story, and leaves the reader wondering what choice they would make in that situation.The Ember Inside by Remco van Straten and Angeline B. Adams - Ymke, a writer, or at least a storyteller of one kind or another, is invited to meet with a like-minded individual- a one Sigismond, evidently because he misses the company of other "literary minded individuals." However, Sigismond is less interested in sharing craft tips as he is to plunge Ymke into a dreamscape and plunder her dreams. What follows is an exploration of a life-not-lived, the alternative branch of choices not taken or maybe simply what happens when a coin lands on heads and not tails. How different would Ymke become as a result? While it made for an interesting tale, by the end I found the tale somewhat lacking. the way the dream scape worked, the way the story resolved at the end - it left me wondering "What are the stakes here? What is the danger? What does Ymke stand to gain? What might she lose?" While the ending, and Sigismond's fate, did bring a smile to my face, the fact that at the end most of the story was little more than a dream left me feeling unfilled as a reader, and wanting more. I want to see Ymke in her native element, the way she is now, and felt like I received little more than a taste of that within the story.Old Moon Over Irukad by David C. Smith - a pair of adventurers - Virissa and Edrion - agree to take on a commission. A simple enough job to escort a man to a tomb and stand guard while he retrieves a certain scroll from within. There is a twist to the plan, but it isn't one that comes as any great surprise. There is a good sense of the weight of history within the story, of old secrets and older evil buried just under the surface. Virissa and Edrion make for a decent pair of rogues, and it would be interesting to see where else their adventures take them.The Beast of the Shadow Gum Trees by T.K. Rex - An ecological allegory wrapped in a fantasy story, of how the only constant in life is change. Moth is an engaging character, as I am always intrigued by how writers handle characters who have prolonged lifespans, and who they end up seeing the world around them. It might be too bold to state this acts as a meditation on love and loss and the process of letting go... but there is a bit of that as well. The action, however, is muted, but it provides a different take on a guardian of wild places than what one usually sees.Vapors of Zinai by J.M. Clarke - A tale of an itinerant wanderer, dark magic, old gods and foul demons - so you know this one is like catnip for me. Set in an analogous Africa, it follows Kyembe of Sengezi and how he comes to be employed by the Priestess Takhat to slay a demon. Clarke does a masterful job of setting up competing interests and factions through the course of the story and manages to give enough of a taste of the world (objects of power, gods and demons, named warriors out for hire) to leave the reader wanting to delve deeper into the lore behind the story. The final battle with the demon Kyembe is pitted against is appropriately danger wrought, and the resolution does not merely rely on Kyembe's strength of arm, but also his wits.The Grief-Note of Vultures by Bryn Hammond - What happens when a caravan is forced to take shelter from monstrous vultures? How do you battle something that refuses to die? If it is a curse, is it one that can be lifted? A great story where the main character, Angaj-Duzmat, gets by on her wits and her knowledge, and is able to carry the day, and where what seems like a just and fit punishment ripples through the years to create new atrocities. Again, there is a strong sense of a broader world and a consistent set of rules applied that hints to some deep world building by Hammond. However, she does a fantastic job of using it to inform the story, rather than hitting the reader with it.The non-fiction pieces also deserve a special mention, with my two favorites being Cora Buhlert's profile of C.L. Moore and Nicole Emmelhaniz's deep dive into Robert E. Howard's Dark Agnes.This issue, as I understand it, was a bit of experiment to see if there was enough interest to support the idea.

I really should have sat down to write this earlier. The inaugural issue of New Edge Sword & Sorcery (NESS) is delightful and just what I was looking for after years of being an ardent Sword and Sorcery enthusiast, containing a refreshing ensemble of new stories with a bent towards inclusivity and pushing the genre forward and non-fiction articles that reminds us of the genre's history as well as where it may be headed.The non-fiction articles are well-written, interesting, and unexpectedly austere in their composition as well as the way they dialogue with genre. The interview with the editor further illuminates the genre definition at play and how they have approached their attempt at expanding it.The fiction is arguably an even bigger draw, and I do not think it disappoints in the slightest. The efficacious worldbuilding, clever use of characterization, and well-considered conflict of *The Grief-Note of Vultures* by Bryn Hammond makes it my favorite out of the bunch. The prose is, at times, a bit too terse for my tastes, but I otherwise found it an excellent read. The aforementioned story only barely edges out *The Beast of The Shadow Gum Trees* by T.K. Rex as my favorite, but the latter is a startlingly beautiful story full of impassioned grief, astounding wonder, and remarkable hope. The other offerings are still great, but I felt the need to highlight those two in particular.I recommend this magazine to essentially every S&S enthusiast who isn't a mal actor. This first issue is also available for free, so if you're at all curious take a gander at it online.

Every story's a blast, and the art is consistently rad. You can tell this was made with tons of love for the genre.

It's a little difficult to get the other volumes in the series but excellent

I thought this was a great first installment. Hopefully, we'll see more of the New Edge of Sword and Sorcery in the future.I know that there had been talk of hopefully kickstarting the next two issues, should this issue prove popular and I hope it does.With some well thought out articles including one being a look into one of Robert E Howard's great female characters and also including what a New Edge to the sword could very well mean in the future, I'm very satisfied by the articles in the magazine, which take up half of the volume.The other half of the magazine entails some very entertaining stories. One of my favourites being The Beast of the Shadow Gum trees about an ageless being that protects their woods going on a journey after their lover dies. It was crisp and deep, like tropical waters, you could see the facets of the story well.Each of the stories in their way add a fresh new element to what sword and sorcery is and I was intrigued reading each of them. May more issues come forth.

Whether you have an academic interest in the genre or you simply want to read stories of action and derring do this is an amazing anthology and the price cannot be beaten.

Love this, hope it continues. You have one subscriber here if it does!