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Egyptian pop has broken with the Arabic traditions of poetry, monophony and intricate melody, offering a fresh and sometimes controversial outlook. This album surveys the Egyptian music scene, the spiritual home of Arabic music, from Cairo and Alexandria in the North, to Nubia on the Southern borders with Sudan.
B**I
Loved this overall
Loved this overall. Some of the older recordings are of course not the greatest quality but I think that is a function of the original, not this product. Wish there was another CD!
J**S
If you like skipping.......
Purchased two. They skip and I tried it on other players. Poor quality.
G**O
good, mostly
Some excellent music - the first six tracks are great. I would almost give this five stars - probably 4 1/2 overall - but it starts repeating artists after the first six tracks. We have Amr Diab, Abgham, and the rather obscure Nagat el Saghira all TWICE. There should never be the same artists twice on a rough guide. It's not as if there's a lack of music in Egypt. Besides, there are ommissions; virtually no folk, Arabic classical or Sufi music, and as others have pointed out, no Umm Kalthoum, though I've never heard anything by her. However, Nubian music is represented excellently by good tracks from Ali Hassan Kuban, Mahmoud Fadl and the Cairo Opera orchestra, and Hamza el Din. There's also quite a lot of old music from former stars such as Abdel Hlim Hafez, Mohamed Abdel Wahab, and Warda (and Nagat el Saghira, twice, on slightly old recordings.) And there's alot of pop music, most of which is still pretty traditional.The liner notes are not very helpful or extensive, and the dicography might as well not be there - little of the music is from accesible albums. I don't know WHERE it's from - a lot of tracks are, apparently, from "album unknown."But it's good. If you like Arabic music, or music in general, it's very much recomended.
D**O
the music of Egypt
Egypt is well known for its modern pop music. Artists from all over the Arab world come to Egypt - Natacha Atlas, Samira Said, Hamid al Shaeri, Fatma Zidan, Warda and others come from places like Britain, Morocco, Libya, Saudi Arabia and Algeria originally, but Cairo is the center of the Arabic music industry, and in some ways they are all Egyptian artists. Egyptian pop does borrow from western pop, but it uses this to create unique music of its own, often using Arabic strings and instruments. This Rough Guide represents this style well, with the incredibly popular Amr Diab represented with two tracks of his own, as well as the pop star Angham. Nagat el Saghira, with earlier recordings, is also represented with two tracks. This is unnecessary: instead they could have shown more artists. There should never be the same person twice on a compilation like this, but that's okay.This CD also shows the Nubian style, with the oud and vocals of Hamza el Din, the percussion of Mahmoud Fadl, the fiery, relentless band rhythms of Ali Hasan Kuban, and the experimental fusion of Mohamed Mounir. There are a number of old recordings on this CD as well, showing the popular music of earlier times.All in all this is well worth it if you're interested in Arabic music. Other worthwhile purchases are the Rough Guides to Morocco and Sudan.
J**N
Too bad most of this stuff isn't available in the US.
I bought this CD after browsing my local Borders for Swiss music for raclette night (a swiss national dish and tradition chez nous). The Rough Guide series is pretty good for giving one a flavour of the country or subject and this seemed a pretty good bet. It's not lots of traditional yodeling, alp horns, or blokes with zithers doing the "Third Man" theme, but it is fairly folky in its tone. Actually, this sounds like some of the more recent celtic/new agey stuff (e.g., Nightnoise) or what the Chieftans have been doing lately. It's a fun change with a strong sampling of music from central Europe and I strongly recommend it.
M**U
Fritz
I found this CD a bit boring, too much of it sounds like it could have come from any "euro-pop" album. There are a few interesting pieces that incorporate alpine arrangements and instruments but yet have a contemporary edge, but these don't compensate for what I felt was an otherwise generic sound to this CD.
H**T
music of egypt...and no umm kulthum?
How can you make a CD of Egyptian music and leave off the most listened to singer in Egypt: Umm Kulthum?
R**D
Egyptian Music CD
After my visit to Egypt, I wanted a musical reminder of the amazing time time there. The Rough Guide to Egyptian Music turned out to be just the thing. Royal Cloyd
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