The Blood 'n' Thunder Guide to Pulp Fiction Paperback – July 20, 2013

As a long-time science fiction fan, I obtained many reference books on science fiction. Some that I really enjoyed included The Visual Encyclopedia of Science Fiction and the Encyclopedia of Science Fiction. It was thru many of these reference works that I was first introduced to the world of pulp, as I learned of the science fiction pulps, see the wild covers and learned that many of the science fiction authors I read had gotten started in the pulps (and some of the fiction I was reading was reprinted from the pulps).Because of this background, when I got into pulps, I got reference works on pulps as well as read pulp fiction, because I wanted to better understand the field. Thus I find I have a better background on pulp, its history, and its antecedents then the average pulp fan, especially the casual pulp fans. While many reference works on pulp have been published, many are out of print, and most were from small presses, and thus hard to find. But a recent one that is out and fills a void is The Blood 'n' Thunder Guide to Pulp Fiction. Ed Hulse of Murania Press wrote it and did an excellent job. In many ways, its the second edition of the prior The Blood 'n' Thunder Guide to Collecting Pulps.The book has several chapters devoted to different pulp magazine genres. Further, the top third of each page is given over to two pulp covers (tho in black and white), so we also get to see a lot of great covers.We first start off with a chapter on Pulp 101. This chapter gives a great overview of pulps. It explains how pulps came about, and how they developed over the years. It also has some basics on collecting pulps.Each subsequent chapter focuses on the different genres, looking at the pulps that fall within that genre. We get a great overview of each of these magazines, pointing out some of the best stories that appeared in them. Further, we learn a little about the publishers as well as the editors and their editorial decisions, which is important in understanding why they published what they did. We have:* The Pulp Pantheon. The view by many is that the best early pulp fiction appeared in a handful of magazines, and this chapter focuses on them: Argosy, Blue Book, Adventure, Short Story, and The Popular Magazine, along with several pulps that got merged into them, like All-Story. We first start off with All-Story (which later merged into Argosy) and the works that appeared there such as Edgar Rice Burroughs' early works (ie Tarzan), some of the ERB clones from Stilson and Giesy. Then we learn about western author Max Brand, the appearance of Zorro, and early sf classics from A. Merrit and Ray Cummings. Then with the merger with Argosy, we hear about works by Perley Poore Sheehan, H. Bedford-Jones, and others. Popular "Peter the Brazen" appears in Argosy. We also hear of further stories by many of the above authors which continued to appear in Argosy before moving on to Adventure.We hear about the beginning of Talbot Mundy in Adventure and the development of this magazine, then move on to Blue Book. We learn of the many pulpsters who appeared in Blue Book, including ERB, who moved over here from All-Story. Next is Short Story. Then we finish up with The Popular Magazine.*Western & Adventure. Am not a fan of westerns, but this chapter is a good overview of the genre, then moving into adventure, which I think will have a wider appeal. Many good magazines and stories in this area are pointed out.* Crime & Mystery. Probably one of the biggest genres in pulp. We start off looking at Street & Smith's long running Detective Story Magazine. We learn of Johnston McCulley many early characters (The Spider, Thubway Tham, Thunderbolt and others). We move on to the long-running Black Mask. Next up is Flynn's Weekly which became Detective Fiction Weekly. This magazine published the works of Erle Stanley Gardner, and then the long running Park Avenue Hunt Club. Popular Publication's Dime Detective Magazine follows. Other detective magazines are next. Several shorter pulp heroes are mentioned in this chapter, such as Alias Mr. Death, Doctor Coffin, and several of McCulley's later heroes. Ace Magazine's long running detective magazines come next, with mentions of Wade Hammond, Dent's Lee Nace, and Moon Man. Street & Smith's Crime Busters is also examined, with its characters such as Norgil, Click Rush, Death Angel, Carrie Cashin, and more. Dan Turner, Hollywood Detective is next, and the chapter rounds out will a look at the various other publishers and their efforts in the area.* Horror & Fantasy. This chapter starts off looking at magazines like Weird Tales and its imitators. A lot of great stories that appeared in Weird Tales and others are mentioned. Then it moves into the "weird menace" pulps of Popular Publications, such as Dime Mystery, Terror Tales, Horror Stories, and such. It wraps up looking at the similar magazines from other publishers.* Science Fiction. This chapter starts off with the first pulp devoted to science fiction, Hugo Gernsback Amazing Stories. He lost ownership of this magazine, and so started Science Wonder Stories and Air Wonder Stories. Amazing Stories continued without him, soon owned by Ziff-Davis who put Ray Palmer in charge. He would later start publishing the "Shaver Mystery" stories. While Gernsback did well with his magazine, he eventually had to sell them to Ned Pine's Thrilling line, where they became Thrilling Wonder Stories. Thrilling soon added Startling Stories. We also learn a little about Martin Goodman (owner of Timely/Marvel Comics) Red Circle line of sf pulps that mixed in spicy and weird menace elements. Other short lived sf pulps from Munsey, Popular, and Fiction House are looked at next. Then the long running Astounding, first owned by Clayton then Street & Smith, and still lives on today as Analog, a digest magazine.* War & Aviation. This chapter first looks at the several war pulps, which I don't find of interest, but would point out that you learn about a long-running character that ran in these named "Terence X. O'Leary". Then we move into the various air/aviation pulps. We also learn about the various serial characters that ran in them. With Ace's Flying Aces, we hear about Donald Keyhoe's Captain Philip Strange. Another is Battling Grogan. Flying Aces also had "The Griffon" and Phineas Pinkham. But Keyhoe's Richard Knight wasn't mentioned. We also learn about Dell turning Terence X. O'Leary into a short-lived sf pulp hero. Then we move to Popular and hear about some of their air series, like The Three Mosquitoes, Smoke Wade, The Red Falcon, and Captain Babyface.* Pulp Heroes, Part one. This chapter focuses on the Street & Smith pulp characters. We first delve into The Shadow, with a lot of info on him, then move into Doc Savage with lots of info on him. Then we move into the lesser known S&S pulp heroes Nick Carter, Pete Rice, Bill Barnes, The Whisperer, The Skipper, Avenger, and finally the Wizard. Some of their pulp characters are actually covered in other chapters. The ones published in Crime Busters appear in the Crime & Mystery chapter, for instance.* Pulp Heroes, Part two. This chapter looks at the pulp heroes from other publishers. We start off with Thrilling, first looking at The Phantom Detective. Then move on to The Lone Eagle, Dan Fowler, The Black Bat, Captain Future, and then on to their less heroes the Green Ghost and Masked Detective. Then Thrilling's western hero pulps Texas Rangers, Masked Rider, and Hopalong Cassidy are examined. Next we move to Popular Publications and their heroes The Spider, G-8, Operator #5, and then a look at some of their short-lived characters Secret Six, Dusty Ayres, Captain Satan and their villain pulps. Brief mention is made of Captain Combat and Captain Zero, the last original pulp hero. Then we move to Ace and their heroes Secret Agent X, and brief mention of Wade Hammond and Captain Hazzard. Fiction House and their jungle heroes like Ki-Gor and Sheena wrap up the chapter.* Those Spicy Girls. Obviously this chapter is on the whole "spicy/saucy" genre of pulps. Useful also is to learn about the publishers of these magazines, such as Harry Donenfeld and Frank Armer, who published many of these under a variety of company names such as Trojan, Culture, and Speed. They published Jim Anthony, Super-Detective, but no mention of him here. This chapter touches also on Hugh Cave's The Eel, and pulp heroine Domino Lady.* Sports & Love. This chapter is on the various sports oriented pulps, including the fight ones, as well as romance. Again, not an area I am interested in, but it does include info on characters such as Robert E. Howard's Sailor Steve Costigan.Then we have 4 appendixes. First off is a great list of notable reference books on pulp. Those I have will be the subject of future posts. Next is a recommendation on building a pulp magazine collection. Then we get a list of publishers focused on pulp reprints. While a great list, its notable for leaving out some major publishers such as Altus Press (one of the top ones, in my opinion), as well as others such as Pulpville and BEB. Finally, we have a list of must-have pulp fiction anthologies, for those wanting to read classic pulp fiction.Missing is an index, which I think is needed if one is looking for information on a particular author, title, or character. Maybe someone could work up one on-line.In reading the book, I found a few mistakes. But that's to be expected in a major work like this. This is, I think, a must have book for any serious pulp fan. If you want to have a better understanding of pulp, even if your interest is in just a few genres, you should get this book. One thing I find a little annoying is how many "pulp fans" just don't have a basic level of knowledge under their belts. They really need to take the time to delve into works like this to get a better understanding and appreciation of the width and depth of pulp. Heck, reading just the first chapter of this book would give them a better level of knowledge.Check it out.

A very useful book which begins with the most basic definition: what pulp is, and what it isn't. You might not think that's necessary, but for a lot of people, it means 'hard-boiled', 'noir', paperback fiction of the 1950s, or characters from other forms of media popular in the first half of the 20th Century. Following that, we get a brief description of the mechanics of how pulp fiction magazines were produced, and some notes for those who may be interested in collecting them about how to get started and where.The book is written in a no-frills, straightforward style. I breezed through it (skimming a couple of chapters, and skipping one entirely) in a couple of days. The print is fairly large; not excessively so, but this was probably a good decision in light of the fact that many readers interested in the subject tend to be older and will, I think, appreciate it. Text takes up only about 3/5ths of each page, with the top tier devoted to cover reproductions in black and white.Ed Hulse breaks down the major pulp fiction magazines by category or genre, and runs down the history of each magazine and the major authors and characters in each section, highlighting the outstanding issues and/or stories in each. There is, unfortunately, no room to do this in depth, with detailed story and character descriptions or backgrounds on the writers, or the book would have been a thousand pages in considerably smaller type, but as a basic overview, he does a fine job. I was often surprised at some of his negative opinions regarding what seem to me to be popular (among pulp fans) writers, stories or characters. He does admit in his introduction that his opinion is his own, and may not be representative of that of the average fan of pulp fiction. Can't blame a man for having an individual opinion and expressing it, I guess. You can't help but be impressed at the broadness of the man's familiarity with the subject matter. He must have read thousands of individual magazines to have gained this knowledge, which seems like a feat in itself; the amount of reading involved is staggering. It's hard for me to even think about someone having such a non-specialized approach.On the downside, I caught a dozen or so typos (not uncommon for small-press publications), nothing too egregious though. There are a couple of important omissions from the appendix covering small publishers specializing in pulp reprints that are currently available. I do wish that there had been an appendix or chapter covering the mass-market paperback reprints of pulp fiction that proliferated from the late 1950s through the early 1990s, as I think that there are many baby boomers for whom that was their "pulp era" growing up, who prefer to collect those versions primarily, if only for their cover art. This may comprise a sizable percentage of today's pulp fandom, perhaps even the majority. Perhaps this is a subject worthy of an entire book on its own, but a brief summary or listing of some sort would have been helpful. It seems odd at the very least that the entire phenomenon doesn't even rate a mention in passing. The biggest deficiency of the book is the lack of a contents page and an index for cross-referencing author and character names and magazine titles. Other reviewers have mentioned this as well, so hopefully this will be rectified in a future edition; it would only add a few additional pages to the book and be very helpful to those looking for a specific author, magazine or character.Overall, this has to be one of only three or four (depending on your focus) really essential books relating to pulp fiction. If pressed, I might say one of the top two, but again, it depends on what knowledge you're already bringing to the table. For myself, my main interests in pulp have always been the proto-superhero series characters and magazines, and the science fiction and fantasy pulps, and this book didn't change my perspective or make me want to expand my focus into other genres much, but it did feel good to get a more objective overview of the whole industry and popular culture aspects of pulp fiction. I did discover some more obscure characters that I wasn't aware of, and learn more about a few writers that I knew very little about.For the total neophyte, this is probably the book on the subject to get, unless they're approaching the pulps with a focus on specific genres or authors. I still think it works best in conjunction with a few other major books on the subject, but to say what those few others are, it would depend on the prospective reader's main area of interest. The other books I would recommend as very useful adjuncts to this one are:  Cheap Thrills  by Ron Goulart,  The Great Pulp Heroes  by Don Hutchison, and (for collectors or those just wanting a checklist of the original magazines)  Adventure House Guide to the Pulps  by John Gunnison.  Echoes 30: Three Decades of Pulp Fandom's Greatest Magazine  by Tom Johnson is a collection of essays from one of pulp fandom's oldest fanzines that will be of great interest to fans of the hero pulps. Fans of pulp cover art can't go wrong with  Pulp Culture: The Art of Fiction Magazines  and  The Incredible Pulps: A Gallery of Fiction Magazine Art , both by Frank M. Robinson, and  Pulp Art: Original Cover Paintings for the Great American Pulp Magazines  by Robert Lesser - and there are many more devoted to more specialized genres and individual artists.

one of the most thorough guides on this subject. Lots of black and white photos and synopses.

C'est un livre sur l'histoire des pulps, très exhaustif. On ne trouve pas mieux à ce prix.Pour lkes illustrations seulement il y a d'autres meilleurs livres.Pour l'histroire c'est le meilleur

Je suis très déçu car les illustrations sont toutes en noir et blanc.( il n y a que la couverture qui soit en couleur... )Il serait judicieux, sur le site, de préciser si les illustrations sont en couleur ou non.