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Having been educated at college in America, Larry Talbot (Lon Chaney Jr) returns to his her's (Claude Rains) mansion in Wales. After meeting Gwen Conliffe (Evelyn Ankers) in the local village, he escorts her to the local fair. She tells him the local legend of the werewolf, but he laughs it off - even when gypsy fortune teller Maleva (Maria Ouspenskaya) and her son Bela (Bela Lugosi) also tell him to beware. Later in the evening Gwen's friend Jenny is attacked by a wild wolf. Larry rescues her, but is bitten in the process. Sure enough, when the next full moon comes round, Larry finds himself transformed into the wolfman - a murderous creature which can only be destroyed by silver. Followed by 'Frankenstein Meets the Wolf Man' (1943). From .co.uk ----------- Even a man who is pure in heart, And says his prayers by night, May become a wolf when the wolfbane blooms And the autumn moon is bright. If you haven't heard this piece of horror-movie doggerel before, you'll never forget it after seeing The Wolf Man for two reasons: it's a spooky piece of rhyme and nearly everybody in the picture recites it at one time or another. Set in a fog-bound studio-built Wales, The Wolf Man tells the doom-laden tale of Lawrence Talbot (Lon Chaney Jr.), who returns to the estate of his wealthy her (Claude Rains). (Yes, Chaney's American, but the movie explains this, awkwardly.) Bitten by a werewolf, Talbot suffers the classic e of the victims of lycanthropy: at the full moon, he turns into a werewolf, a transformation ingeniously devised by makeup maestro Jack Pierce. Pierce was the man who turned Boris Karloff into the Frankenstein monster, and his werewolf makeup became equally famous, with its canine snout and bushy hairdo--and, of course, seriously sharp dental work. The Wolf Man was a smash hit, giving Universal Pictures a new monster for their already crowded stable, and Chaney found himself following in the footsteps (or paw prints) of his her, who had essayed a monster or two in the silent era. This is a classy horror outing, with strong atmosphere and a thoughtful script by Curt Siodmak--well, except for the stiff romantic bits between Chaney and Evelyn Ankers. It's also got Bela Lugosi (briefly) and Maria Ouspenskaya, the prunelike Russian actress who foretells doom like nobody's business. --Robert Horton