W&N - Fixative 400ml can

Used this for my charcoal portrait drawing, works really well. Very happy with it, and will definitely be my go to for my charcoal drawings..

Dries quick, stops smudging. However you do have to be careful not to ruin your picture by getting dust or dirt on your paper while spraying as it gets stuck on and risks damaging your drawing. Spray in a ventilated protected area as your surfaces will become sticky.

Exactly what I needed for my artwork. It gives a perfect protective finish without altering colours or texture. Quick-drying and reliable — I’ll be sticking with this one for all my future pieces.

Have Used this Product for Many Years, its great Quality Fixative, easy to apply and stops smudging of media mentioned. After use - invert Canister give short spray to knock out Air pocket and store in Cool Dark cupboard/ Not for Kids. Spraying gives off Vapour. Relly good for large Projects to protect finished areas, if you want to rework later just give One Coat Spray then re-spray, no marks unless you flood areas.This is a Large Size Canister at a bargain price. Arrived in Box packaging with safety Lable markings. Prime Delivery. Highly Recommend This Product from this Seller.

This art fixative might be on the pricier side, but it’s far superior to cheaper sprays that can ruin your work. Designed to protect a wide range of media—soft pastels, charcoal, acrylic inks and paints—it works beautifully on different surfaces such as Bristol canvas and watercolour paper. What really impresses me is how few coats are required. Two light layers provide full, even protection, which means you don’t waste time or product, and there's no lingering strong odour or tackiness. Unlike budget options that can discolour, cloud, or stiffen artwork, this fixative preserves the true colours and textures—often even making pigments subtly pop and feel richer veronicasart.comfinearttutorials.com. On my soft pastel pieces, I noticed no noticeable sheen or shift in hues—the result was clean and vibrant, just as intended jacksonsart.comfinearttutorials.com. For charcoal and acrylic ink works, the finish remained smooth and true without any yellowing or smudging. Even on Bristol and watercolour surfaces, the fixative adhered nicely and cured quickly. In short: you pay a little more, but gain major benefits—strong protection, not so many layers, no ruined colours, and a gentle enhancement of vibrancy. If you are serious about preserving your artwork without compromising its appearance its a worth to try it.

Good quality easy to use