---
product_id: 12962155
title: "The Annotated Pride and Prejudice"
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---

# Extensive annotated insights Classic black & white illustrations Free shipping on qualifying orders The Annotated Pride and Prejudice

**Price:** A$45
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## Summary

> 📖 Elevate your Austen experience—don’t just read Pride and Prejudice, live it!

## Quick Answers

- **What is this?** The Annotated Pride and Prejudice
- **How much does it cost?** A$45 with free shipping
- **Is it available?** Yes, in stock and ready to ship
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## Why This Product

- Free international shipping included
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## Key Features

- • **Classic Aesthetic:** Crisp black & white illustrations that complement the timeless Regency era vibe.
- • **Innovative Layout:** Side-by-side text and notes for seamless, immersive reading without flipping or distraction.
- • **Trusted Bestseller:** Ranked top 1,000 in Classic Literature with 4.6-star acclaim from over 870 readers.
- • **Collector’s Condition:** Used book in good condition—own a piece of literary history without compromise.
- • **Deep Literary Annotations:** Unlock Jane Austen’s genius with expert commentary and historical context that elevates every page.

## Overview

The Annotated Pride and Prejudice by David M. Shapard is a critically acclaimed edition featuring rich, insightful annotations and historical context that deepen your understanding of Austen’s masterpiece. With a unique side-by-side layout and classic black & white illustrations, this used book in good condition offers a premium reading experience highly rated by over 870 readers and ranked among the top classic literature titles.

## Description

The Annotated Pride and Prejudice [Austen, Jane, Shapard, David M.] on desertcart.com. *FREE* shipping on qualifying offers. The Annotated Pride and Prejudice

Review: Enriching My Understanding, Appreciation, and Love for Pride and Prejudice - With all my reviews of annotated editions, my ratings and comments are based on the annotations and observations made by the editors and not Jane Austen’s magnificent and beloved masterpieces. I hope you find this breakdown helpful! THE INTRODUCTION: There is plenty of astute analysis to explore in Mr. Shapard’s introduction, but my favorite points he brought up pertained to what makes Jane Austen’s novels unique for her time, and specifically what makes Pride and Prejudice unique when compared to her other novels. I haven’t read much of Frances Burney or Samuel Richardson, but I greatly appreciate learning that, compared to their works, Jane Austen’s novels are more rooted in verisimilitude and that she distinctly gives her characters the freedom of choice. In addition, while I may have concluded on my own that P&P is the Jane Austen novel most focused upon romantic relationships (how many marriages take place?), I did not make the realization that it was the only novel where both the hero and heroine make crucial errors. I think the realism she shows with these characters and the journey of their mistakes and growth might have a lot to do with why Pride and Prejudice is so many readers’ favorite. THE ANNOTATIONS AND ILLUSTRATIONS: The annotations for the text are plentiful, informative, and analytical. Word usage, customs, Regency references are all thoroughly explained. But what I really enjoy is when David M. Shapard shares his own insights, revelations, and commentary. I love the personal touch, and I appreciate that his notes include more of his own deductions and scrutiny, and not just other scholars quoted. The illustrations are appropriately selected and placed. One downside of this edition versus Harvard University Press is the absence of color images on a large scale. These images, while printed clearly and crisply are black and white. SOME THINGS I LEARNED/NOTICED: - Mr. Bingley is Young!: It might be my own mistaken memory or how oftentimes Austenesque novels portray Darcy and Bingley as mates from university, but I completely forgot that Mr. Bingley is 22! That puts some of his immaturity and weaknesses of character into a different perspective! - A Clergyman’s Lot: Because of an influx of ordained clergyman, only 20% of clergymen received an appointment within five years of being ordained, and some never did and worked as assistants their whole lives! No wonder Mr. Collins is so excessive in his praise and gratitude of Lady Catherine! - Elizabeth is Contrary: She holds Mr. Darcy’s implacable resentment against him, but sister-friend has some implacable resentment of her own. Also, while she is disappointed with Charlotte’s marital prudence, she openly forgives and defends Mr. Wickham’s marital prudence when he is in pursuit of Miss King. - The Lucases Be Plentiful: Not all are prominent in the story, but with the mentions of daughters and sons added together there are at least seven children in total! Again, this puts a new light on Charlotte’s situation and actions. - Elizabeth’s Evolution: Talk about understanding and witnessing a character’s journey through their emotions and the turning of their mind and/or heart! Jane Austen’s representation of Elizabeth Bennet’s evolving feelings for Mr. Darcy is brilliant and perfect. I really appreciate how it is laid out, how it happens gradually and believably, and how Elizabeth becomes aware and reanalyzes her own character. Plot twist: Mr. Darcy isn’t the only one guilty of pride and vanity! - The Proposal Scene: Even though I’ve read and seen it take place numerous times before, it still fills me with such awe and admiration. There is such fiery emotion, such intensity in their words and actions. It is so vibrant with strong feeling. It may be blasphemous to say, but I don’t know if I yet to see it portrayed on screen as magnificently and powerfully as it is portrayed on page. - Pemberley Shades: I need to laugh at myself for this one! When Lady C made her exclamation about the “shades of Pemberley” being polluted, I was thinking shades like window covering, and that the Elizabeth’s inferior relations would dirty and befoul them. But it looks like the term would more likely apply to the grounds of Pemberley and all the shades of light and darkness produced by trees. COMPARING HARVARD UNIVERSITY PRESS AND DAVID SHAPARD EDITIONS: It is a super tough decision to make because I equally loved Patricia Meyer Spacks’ Pride and Prejudice: An Annotated Edition – her comments are equally astute and insightful, but I feel like I may have learned a bit more and delved into P&P a little bit deeper with David Shapard’s annotations. So my vote is once again for David Shapard. CONCLUSION: I emphatically urge all Austenesque readers and Jane Austen admirers to read annotated editions of Jane Austen’s novels. The reading experience will be time-consuming, but the gift you give to yourself is immeasurable. What could be better than broadening your understanding and appreciation of Jane Austen’s genius? If you have yet to read any annotated editions of Jane Austen’s novels, I’d recommend starting with The Annotated Pride and Prejudice by David M. Shapard, because it may very well be the best. Austenesque Reviews
Review: Mostly great and helpful annotations - This review deals only with the annotations. I'm not going to talk about the text of this edition itself, because I assume most readers of an annotated version are familiar with it. For the most part, I really loved the notes. It turns out that despite having read P&P multiple times, there were things that I had misunderstood, and the background information (which comprises mostly historical context and/or literary influences) added depth. After the annotation, I had a greater appreciation for the incredibly layered, complex, subtle, and amazingly well-thought-out book P&P really is--and I had always assumed that it WAS all of those things. I also loved how the annotations were presented. The text appears on the left page, and the notes on the right, which is not a layout of annotations I have seen before (seems most are either marginalia, footnotes, or endnotes). At first, I thought this would make for an awkward and unnatural reading, but after a page or two, I got into a nice rhythm. The layout made for very easy simultaneous reading of both--no flipping back and forth, the print was clear, and you could skim the annotations before or after reading the text on that page to get a sense of then, then delve into them at the appropriate part of the text. The one thing I will fault the annotations for are the word definitions. The vast majority of them are words that anyone who has read P&P more than once or has an above average vocabulary would have figured out from the context; e.g. it's not that difficult to figure out that want=lack in the context of the book. But even more annoying than that is that the same word is defined in the same way over and over and over again; e.g. every time the word "pale" is mentioned (and it's used a surprising number of times), there is an annotation pointing out that it means fencepost or border. Anyone with half a brain, after seeing pale used in that way once, would have been able to figure out the correct usage (fencepost vs. light in color) from the context after that. The editor states that this is done because it's meant to be a reference work and the repeated definitions are included to aid in understanding when only specific parts are consulted. But I still found it distracting and a bit insulting, and I felt disappointed when I stopped my reading of the text to read an annotation that it was yet again only another repeated definition. Despite my rambling on the definitions, this is still a 5-star annotation. The easy reading and overall helpfulness of the notes make this edition a great way to develop an even greater appreciation for our beloved Pride and Prejudice.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #20,271 in Books ( See Top 100 in Books ) #704 in Classic Literature & Fiction #1,647 in Literary Fiction (Books) #6,063 in Genre Literature & Fiction |
| Customer Reviews | 4.6 4.6 out of 5 stars (881) |
| Dimensions  | 5.2 x 1.35 x 8.01 inches |
| Edition  | Expanded |
| ISBN-10  | 0307950905 |
| ISBN-13  | 978-0307950901 |
| Item Weight  | 1.62 pounds |
| Language  | English |
| Print length  | 739 pages |
| Publication date  | March 13, 2007 |
| Publisher  | Vintage |

## Images

![The Annotated Pride and Prejudice - Image 1](https://m.media-amazon.com/images/I/81Uz-Rho96L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Enriching My Understanding, Appreciation, and Love for Pride and Prejudice
*by M***) on July 16, 2022*

With all my reviews of annotated editions, my ratings and comments are based on the annotations and observations made by the editors and not Jane Austen’s magnificent and beloved masterpieces. I hope you find this breakdown helpful! THE INTRODUCTION: There is plenty of astute analysis to explore in Mr. Shapard’s introduction, but my favorite points he brought up pertained to what makes Jane Austen’s novels unique for her time, and specifically what makes Pride and Prejudice unique when compared to her other novels. I haven’t read much of Frances Burney or Samuel Richardson, but I greatly appreciate learning that, compared to their works, Jane Austen’s novels are more rooted in verisimilitude and that she distinctly gives her characters the freedom of choice. In addition, while I may have concluded on my own that P&P is the Jane Austen novel most focused upon romantic relationships (how many marriages take place?), I did not make the realization that it was the only novel where both the hero and heroine make crucial errors. I think the realism she shows with these characters and the journey of their mistakes and growth might have a lot to do with why Pride and Prejudice is so many readers’ favorite. THE ANNOTATIONS AND ILLUSTRATIONS: The annotations for the text are plentiful, informative, and analytical. Word usage, customs, Regency references are all thoroughly explained. But what I really enjoy is when David M. Shapard shares his own insights, revelations, and commentary. I love the personal touch, and I appreciate that his notes include more of his own deductions and scrutiny, and not just other scholars quoted. The illustrations are appropriately selected and placed. One downside of this edition versus Harvard University Press is the absence of color images on a large scale. These images, while printed clearly and crisply are black and white. SOME THINGS I LEARNED/NOTICED: - Mr. Bingley is Young!: It might be my own mistaken memory or how oftentimes Austenesque novels portray Darcy and Bingley as mates from university, but I completely forgot that Mr. Bingley is 22! That puts some of his immaturity and weaknesses of character into a different perspective! - A Clergyman’s Lot: Because of an influx of ordained clergyman, only 20% of clergymen received an appointment within five years of being ordained, and some never did and worked as assistants their whole lives! No wonder Mr. Collins is so excessive in his praise and gratitude of Lady Catherine! - Elizabeth is Contrary: She holds Mr. Darcy’s implacable resentment against him, but sister-friend has some implacable resentment of her own. Also, while she is disappointed with Charlotte’s marital prudence, she openly forgives and defends Mr. Wickham’s marital prudence when he is in pursuit of Miss King. - The Lucases Be Plentiful: Not all are prominent in the story, but with the mentions of daughters and sons added together there are at least seven children in total! Again, this puts a new light on Charlotte’s situation and actions. - Elizabeth’s Evolution: Talk about understanding and witnessing a character’s journey through their emotions and the turning of their mind and/or heart! Jane Austen’s representation of Elizabeth Bennet’s evolving feelings for Mr. Darcy is brilliant and perfect. I really appreciate how it is laid out, how it happens gradually and believably, and how Elizabeth becomes aware and reanalyzes her own character. Plot twist: Mr. Darcy isn’t the only one guilty of pride and vanity! - The Proposal Scene: Even though I’ve read and seen it take place numerous times before, it still fills me with such awe and admiration. There is such fiery emotion, such intensity in their words and actions. It is so vibrant with strong feeling. It may be blasphemous to say, but I don’t know if I yet to see it portrayed on screen as magnificently and powerfully as it is portrayed on page. - Pemberley Shades: I need to laugh at myself for this one! When Lady C made her exclamation about the “shades of Pemberley” being polluted, I was thinking shades like window covering, and that the Elizabeth’s inferior relations would dirty and befoul them. But it looks like the term would more likely apply to the grounds of Pemberley and all the shades of light and darkness produced by trees. COMPARING HARVARD UNIVERSITY PRESS AND DAVID SHAPARD EDITIONS: It is a super tough decision to make because I equally loved Patricia Meyer Spacks’ Pride and Prejudice: An Annotated Edition – her comments are equally astute and insightful, but I feel like I may have learned a bit more and delved into P&P a little bit deeper with David Shapard’s annotations. So my vote is once again for David Shapard. CONCLUSION: I emphatically urge all Austenesque readers and Jane Austen admirers to read annotated editions of Jane Austen’s novels. The reading experience will be time-consuming, but the gift you give to yourself is immeasurable. What could be better than broadening your understanding and appreciation of Jane Austen’s genius? If you have yet to read any annotated editions of Jane Austen’s novels, I’d recommend starting with The Annotated Pride and Prejudice by David M. Shapard, because it may very well be the best. Austenesque Reviews

### ⭐⭐⭐⭐⭐ Mostly great and helpful annotations
*by 3***S on September 24, 2009*

This review deals only with the annotations. I'm not going to talk about the text of this edition itself, because I assume most readers of an annotated version are familiar with it. For the most part, I really loved the notes. It turns out that despite having read P&P multiple times, there were things that I had misunderstood, and the background information (which comprises mostly historical context and/or literary influences) added depth. After the annotation, I had a greater appreciation for the incredibly layered, complex, subtle, and amazingly well-thought-out book P&P really is--and I had always assumed that it WAS all of those things. I also loved how the annotations were presented. The text appears on the left page, and the notes on the right, which is not a layout of annotations I have seen before (seems most are either marginalia, footnotes, or endnotes). At first, I thought this would make for an awkward and unnatural reading, but after a page or two, I got into a nice rhythm. The layout made for very easy simultaneous reading of both--no flipping back and forth, the print was clear, and you could skim the annotations before or after reading the text on that page to get a sense of then, then delve into them at the appropriate part of the text. The one thing I will fault the annotations for are the word definitions. The vast majority of them are words that anyone who has read P&P more than once or has an above average vocabulary would have figured out from the context; e.g. it's not that difficult to figure out that want=lack in the context of the book. But even more annoying than that is that the same word is defined in the same way over and over and over again; e.g. every time the word "pale" is mentioned (and it's used a surprising number of times), there is an annotation pointing out that it means fencepost or border. Anyone with half a brain, after seeing pale used in that way once, would have been able to figure out the correct usage (fencepost vs. light in color) from the context after that. The editor states that this is done because it's meant to be a reference work and the repeated definitions are included to aid in understanding when only specific parts are consulted. But I still found it distracting and a bit insulting, and I felt disappointed when I stopped my reading of the text to read an annotation that it was yet again only another repeated definition. Despite my rambling on the definitions, this is still a 5-star annotation. The easy reading and overall helpfulness of the notes make this edition a great way to develop an even greater appreciation for our beloved Pride and Prejudice.

### ⭐⭐⭐⭐⭐ Making the Classic Readable
*by L***S on March 6, 2025*

So many books lately have invoked Jane Austen’s classic work Pride and Prejudice that I felt I had no choice but to read it. But I resisted for over six decades because face it, the story is hard to understand in the style and language it was written in. Enter The Annotated Pride and Prejudice. David M. Shapard made this amazing story not only understandable, but enjoyable. The footnotes are equal in length to the book itself. The notes cover word meanings and usage, explanations of practices common to the times, and, when relevant, reminders of where in the storyline the reader finds themselves. If you have avoided this classic as I had, buy this book on Amazon right now. Thanks to the following authors for finally spurring me on. Becky Monson – Desperately Seeking Mr. Darcy Jennifer Peel – Without Pride and Prejudice

## Frequently Bought Together

- The Annotated Pride and Prejudice
- The Annotated Sense and Sensibility
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*Last updated: 2026-03-17*